Tag Archives: Abingdon Press

The Mystery is Solved!

For an author, the receipt of a box of one’s books, delivered right before release time, is a long-anticipated joy. I got mine the other day, ripped open the cardboard, and held the just-birthed book in my hands, proud as a new momma. At last. A Stitch in Crime was ready for the shelves and it was gorgeous!

A Stitch in Crime Cover

Assault, larceny, anonymous threats. Who knew quilt shows could be this dangerous?

Inspecting my new, cozy mystery cover, I marveled at the crazy quilt adorning the upper two-thirds of the design. How did my publishing company get it so right? Sure, I’d had input…lots. Perhaps, a bit too much. But at the time, I’d been guided by James 4:2 – “You do not have because you do not ask.”

Not wanting to make that mistake, I asked. Then surfed the net for good examples of an appropriate quilt. Though I didn’t find the one, I came up with some (okay…a bunch of) guidelines for the cover designers:

  • It must look antique, but elegant;
  • The stitching should be exquisite and some beading would be nice;
  • Nothing too modern looking;
  • Nothing too busy (it shouldn’t look like a map of the USA);
  • No polyester or lace;
  • And BTW, a spider web signified good luck in Victorian times. Just sayin’.

The result was an engaging cover from Abingdon Press, achieving elegance with overtones of suspense. I loved it. But where did they find that quilt? It was a mystery.

Sooner than expected, the mystery was solved. The maker of the original quilt, Angela McInnis, left a comment on my blog, telling me how excited she was to have her design chosen for my cover. What??? I quickly found her email and wrote back, asking questions about how the design came to be. (There’s that asking part again!) And she poured out the story behind the cover quilt. Angela and her son own/run an antiques & collectibles shop called Dwellings just outside Florence, Mississippi on Hwy 49 South. And it all started with a treasure-hunting trip.

“My husband and I traveled from Mississippi to Lancaster, PA so I could purchase  some redware, salt glaze pottery, and an Amish quilt. Long story

Amish Crazy Quilt piece all framed!

Amish Crazy Quilt piece – a $2 find – all framed!

short, I purchased the pottery, but the price of the quilt was way out of my pocketbook range. On our way home, we made one last stop and deep in a basket of linens I found a very plain Amish quilt piece. When the lady said $2…I asked if she meant $200 – since all the real Amish quilts were so high. She assured me it was $2! I brought it home, framed it and admire it to this day.

“However,” Angela continued, “as I admired the stitching, I decided to try my hand at doing a little crazy quilting of my own. The result was a wall hanging that I eventually had framed and it still resides in my hallway.” She used Amish colors but says it was “not Amish at all because I blinged it up.” Angela added the spider web for interest and for good luck.

Original crazy quilt crafted by Angela McInnis & used in A Stitch in Crime's cover.

Original crazy quilt crafted by            Angela McInnis & used in A Stitch in Crime‘s  stunning cover.

I wondered what fabric she used in her original crazy quilt…wool? Flannel? Old or new? Angela said the fabric was felt. A good choice in my opinion; it gives the look of wool, but fresh and new and clean. Her handwork is lovely, the finest craftsmanship.

 What if Angela hadn’t found that $2 Amish crazy quilt piece, the inspiration for her own version? A charming, beaded beauty that attracted the cover designers at Abingdon Press? And caused them to contact her for permission to use the image for my book?
That’s a mystery I don’t even want to solve. I cannot imagine “our” cover any other way.
To see more about Angela and her crazy-quilty-ways, visit her at:  A. McInnis: Crazy for Crazy Quilts  And for more information about A Stitch in Crime and to read the first chapter, click on BOOKS.

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Quilting Cousins

Recently, a stunning quilt top was handed off – from cousin Linda (in Prineville, OR) to cousin Gary (who played delivery guy) to cousin (me). Fingers fumbling, I opened the box, ready for a first glimpse. I unfolded it and caught my breath. Gorgeous! And what a treat to partner with Linda Gholson, quilter extraordinaire, in this part of my novel journey with Abingdon Press.

Tail in the Rail Quilt

“Tail in the Rail” Quilt

My upcoming “Quilts of Love” mystery, A Stitch in Crime, features Thea James stitching on this very quilt in her spare time. (Not that she has much of it. Too busy trying to figure out whodunit.)

I’ve named the quilt “Tail in the Rail” because the pattern consists of Fence Rail blocks, floral sashing, and Aunt Elena’s Nine Patch variation of a kitty-cat to represent Betty, the feisty calico in the story. It’s my own design, along with Linda’s artistic twist. Like in the book, the quilt fabric is all from the Smithsonian Collection, no longer available. This quilt is a treasure, indeed.

Though Thea hand-quilted the book’s rendition, mine will be sent to Stacy Boyd, a wonderful local quilter. With a long-arm quilting machine.

Quilt Backing & Top

Quilt Backing & Top

Between unfurling the thing and admiring it from this angle and that, I must now decide if the backing I bought is a good match.

Hmm. Too dark? Good enough?

Nope. “Good enough” isn’t good enough for this lovely quilt. Off to get new muslin….

"Tail in the Rail" Quilt

“Tail in the Rail” Quilt

NOTE: If you’d like to make this quilt, take heart. I hope to make the “Tail in the Rail” pattern available when A Stitch in Crime is released in January 2015. Stay tuned.

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